Thursday, November 15, 2012

A Little Fiction

Back in May I had a class in mythology. One of our assignments was to write a creation myth of our very own. As a little of my current online reading had brought the story back to my mind earlier today, I have decided to share it here:
Behold! Once there was a time when Nothing was. And Arthi came to the place of Nothing and looked upon it, and said to himself, “This will not do.” Reaching forth his hands, he took hold of the Nothing and began to shape it. First from the Nothing he crafted marvelous marble, then he made glittering gold, then he fashioned shining silver, and so on until there was no more left of the Nothing. And he looked upon these things he had formed from Nothing, and was well pleased.
But still his labor was not yet finished, for now that Nothing was not and Something was, there was no order. Marble stood by itself as a white slab, and gold by itself in a large ingot, and silver was wholly unformed, and a variety of gemstones were yet unset. So Arthi again reached out and took the marble and built columns, roof, and floor; a large hall for himself in which to dwell. Then taking the gold he proceeded to gild the archways and entrances, the tops of the columns and their bases. And with the silver he inlaid intricate designs within the gold-work. Finally he took the gemstones and set them in amidst the gold and silver, each gem-stone to a column and archway.
Now the great hall of Arthi was laid out like this: there were four entranceways, to the north, east, west, and south. And upon the four walls of the hall there were three columns each, totaling twelve. And before the east and west entranceways there were stairs, three each. But before the north and south entranceways he had made smooth ramps.
Still having marble, gold, silver, and gems left over, Arthi made for himself a high throne. Then he made several smaller thrones, numbering twelve in all, not counting his own.
The marble was thus put to use, but there was still gold, silver, and gemstones remaining. So Arthi took the remaining gold and crafted a large harp, and wrote cunning designs, the history of all that ever was or will be, the deeds of both gods and man. And the harp he adorned with the gemstones. Then, taking the silver, he spun out twelve strings, each of various width and height, and proceeded to string the harp. He set the harp in the middle of his hall so that all might look upon it.
Again Arthi stepped back and looked upon his glorious hall. His labor at last complete, Arthi wept for joy. His tears he collected in a small golden jar, and set them aside for the coming of Time.
And Arthi sat in his hall alone. He had no need for food or for drink, for he was eternal and deathless. Neither had he need for companionship for there was none who could fathom his inscrutable ways. He did not even need his great hall, yet he had made it, for he considered such to be good. At last he judged that the gods should be brought forth, so that his great work might be built upon.
Reaching with his left hand Arthi plucked his right arm from his shoulder, for it is in the nature of Arthi that he cannot be divided lest he divide himself, and that even divided he should remain whole. And his right arm he divided into two at the elbow. From the upper portion of his arm he formed Pordil, firstborn of the gods and the craftiest. From the lower portion of his arm he crafted Ledil, most valorous of the gods. And from the right hand he took the fingers and divided the palm into two and crafted the fingers and the palm into lesser gods, servants to do the bidding of the two brother of the Right Arm.
And he took the two brothers of the Right Arm (the Melidil) and set them upon the thrones on his side, Ledil on the right and Pordil on the left. And Pordil was ever jealous that, though he was the older brother, the younger had been given the seat of honor.
Arthi then plucked his left arm and proceeded to do the same as with his right, making from it two gods and the demigods to serve them. First came Ildol, of all the gods the most artful; then Borodol, who rules over the dark seas. And he sat the Melidol (that is, brothers of the left arm) to the right and left, youngest on the right and oldest on the left, of the Medil.
From his right leg Arthi made Atil and Vimtil. Atil it is who loves dances and feasts, Vimtil is the swiftest of the gods and messenger. And the Mesotil took their thrones.
From the left leg was made Kortol and Fortol. Kortol has love for all beasts and Fortol for all that grows from the earth. And the Mesotol took their thrones.
And from his stomach Arthi made Erthi to create the days of all gods and men that would come after. And he sat Erthi to the left of Kortol.
From his heart he made Umthi to number the days of all gods and men that would come after. And he sat Umthi to the right of Fortol.
From his head he made Osthi to collect the life from all gods and men who would come after at their appointed time. And he sat Osthi to the left of Erthi.
And thus Arthi declared the number of gods complete. But the gods looked around Arthi’s great hall in confusion, and asked their father why there was one throne left empty. And Arthi replied, “That throne is for Man, who is not yet, but will be. And as I sat each younger brother in place of honor over his brother, someday will Man rule over you.” And the gods nodded and proclaimed the wisdom of their father. Only Pordil remained silent.
But the gods each felt incomplete, yet did not want to voice this to Arthi, lest he be displeased at their discontent. And Arthi saw their displeasure and bid them speak. And Ledil spoke up and said, “Father, while you have given us this great hall and seats of honor at your side, yet we feel as though there were more that is needed.”
“That,” said the Father of All, “is because, while you are immortal as I am, yet you are not Eternal. I can be content with myself and beget from myself, yet you needs must have wives for contentment and begetting.”
            “What is a ‘wife’,” asked Ledil.
            “A wife is a companion and bearer of children,” Arthi replied.
            “And do we need wives,” inquired Kortol.
            “If there are to be any more gods, yes, you do.”
            “But why,” asked Erthi, “if we need wives, did you not make them for us?”
Arthi laughed and said, “Because I wished you to love your wives as you love yourselves and as I love you. And as I made you from myself, so I wish you to choose that part of yourself you feel most important, bring it to me, and I shall fashion your wife for you.”
Thus Ledil took his heart, which is the seat of courage and wisdom (qualities all good warriors must possess), and brought it to Arthi. And Arthi fashioned for him Aletha, goddess of wisdom and courage.
And so it went: for Ildol he made Partia as goddess of light, for Borodol he made Lartia as goddess of rivers, for Atil he made Woera as goddess of plenty, for Vimtil he made Xoera as goddess of the winds, for Kortol he made Sara as goddess of wood, for Fortol he made Cara as goddess of rain, for Erthi he made Vita as the spring of life, for Umthi he made Ita as goddess of mathematics and measure, and for Osthi he made Rita to judge the dead by their deeds.
Pordil alone did not come forth for a bride. Arthi said to him, “Pordil, why do you not bring to me part of yourself, that I may make you a companion and bearer of children?”
And Pordil, seeking to gain favor in his father’s eyes replied, “Because, Father, like you I do not need companionship, save that of my brothers, and I have no need of heirs who live forever.” This he said, while hiding in his heart the truth- he feared, lest “wife” be another name for “man” that he might bring forth the one to rule over him. He also had no wish to sacrifice any part of himself.
Arthi looked upon Pordil with sadness, for he knew what was in his son’s heart, but he said nothing.
And the great harp sat silent in the middle of the gathering, awaiting the coming of Time.
It passed that the gods and goddesses each came together and brought forth children, and named their children as they saw fit. And they brought their children to Arthi and he delighted in them. And in those days all was joy and gladness.
Now, Pordil knew that his father greatly desired that the great harp in the middle of the hall should one day be played, and he took it on himself to do so, so that he might gain the seat of honor that his brother held. While the Father of All played with the children and the gods and goddesses laughed amongst themselves, Pordil crept to the harp and laid his finger upon one of the strings. And the sound of the string filled the hall.
The gods and goddesses stopped and stared and the children left their play in astonishment. “Pordil,” said Arthi, “do not touch another string if you know what is good for you.”
“Father,” replied Pordil with a laugh, “I know you desire this harp to be played, and so I will play it.” And he reached forth and plucked another string, so that the harmony of the two strings sounding together created the most beautiful of sounds that any had heard.
“Pordil,” said the Father of All sternly, “You do not know what you are doing. Stop now, lest it be too late and your fate overtake you.”
But stop Pordil would not. Again and again he plucked the strings, the sounds going forth into the air. At first the sound was pleasing, but after the fourth string, then the fifth, the sound became unbearable to all but Pordil, who took delight in the dissonance. For the sound, once called forth, would not die out, for Time had not yet come.
When all twelve strings had been plucked, the hall started to quake and the gemstones on the gilding began to fall out of their casing. And Arthi clapped his hands together with a mighty noise, so that the sound went out of the hall.
Once outside it began to take being. It was a monster, huge and hideous, formless, taking first this shape and then that. And it roared and stomped and railed about the outside of the hall.
And the gods cried out in fear. “Father,” they cried. “What is it?”
“It is Chaos,” said the Father of All. “And unless you stop it, it will surely destroy this hall so that Nothing will return.”
“Save us,” the gods cried to Arthi. But he shook his head. “My labor is complete, until Time comes. You are fathers and mothers yourselves, and now is when you shall prove yourselves to be gods.”
Then Aletha looked to her husband and said, “If you do not take arms and fight this creature, I can never love you.”
Ledil laughed and said, “Then my course is laid out, for if you will not love me, how can I love myself?” And taking a sword he went forth to fight the monster.
The battle raged in that timeless place. Many blows did Chaos deal to Ledil, and many blows did Ledil return. Aletha stood near her husband with a bow, firing arrows into the creature’s tough hide, and shouting to him the weakest limbs of each form the creature took.
And the other gods and goddesses took courage from the actions of their brother and sister and went themselves into battle. Only Pordil stayed in the hall, not from cowardice, but because he found Chaos to be more beautiful than even the hall of his Father.
At long last the battle was won, and Chaos was slain; cloven in two by the mighty sword of Ledil. The carcass of the beast fell in halves to either side of Arthi’s Great Hall, and was long enough that it encircled the hall completely. Arthi clapped for his children and said, “Well done, my sons and daughters. With Chaos slain you have proven yourselves gods, and at last Time has come.”
Lest the carcass of the great beast should stink, Arthi took the golden jars of the tears of his joy and emptied it out into the two halves, so that an ocean surrounded the great hall. And Arthi explained to the gods that Time was when something would go forth from the hall and then disappear into Nothing, and thus it was that Chaos must be and be slain.
He commanded that now should the great harp be played and assigned to the eleven gods a string to pluck and a time to pluck it. Sometimes a god would pluck a string by himself followed by another god once the sound had dimmed, and sometimes two or three gods would pluck in unison. And as the harp was struck and each chord sounded, the gods understood what their role was to be in the creation of the cosmos.
Ildol took the scales of the beast from the side of the carcass and scattered them across the sky, where they gleamed and twinkled in the night. And Partia cut out one of the beast’s eyes from its head and set it in the sky, where it blazed and made light.
Kortol and Fortol laughed, and dove into the sea, and raced each other in the friendly rivalry of brotherly love. And in the depths they saw the entrails of the great beast Chaos. And they each competed with the other, to see who could gather the most together and lift the largest organ and bring it to the surface. Fortol it was who gathered the most together, and Kortol lifted the largest organ. And both brothers broke the surface at the same time. They called Umthi from the hall to come and weigh the portions which they brought up, so that it would be known who lifted the heaviest load. Umthi weighed the portions carefully and counseled with his wife, and the two determined that the brothers had each brought the same weight from the depths. And so it was declared that the brothers had tied. And the entrails they brought up had become earth and covered a portion of the waters.
Then the wife of Fortol, Cara, cause rain to fall upon the earth and thus bloomed forth every flower and plant. And Sara, the wife of Kortol, fashioned from the trees two of every kind of beast. In this way, the wives of Fortol and Kortol caused their husbands great delight, and they all frolicked amongst the earth. And the exuberance of their play was such that mountains sprang from the earth, and valleys plunged into its depths.
Now, hidden in the dark of night, Pordil, went out to the carcass of the beast and wept. Then, taking a tooth from the maw of the beast he fashioned for himself a bride and made for her a home, there on the underside of the beast. And he told no one about his wife, but would often visit her in secret. And he named her Death.
When the gods had done their part in forming the Earth and filling it with life Arthi came from his great hall and looked at their work. And he was very pleased. Then he reached out and took a little from all they had made: earth, water, and the creeping beasts. And he shaped and fashioned a new creature. When he had finished forming this creature last of all he took wind, and filled the creature with it, so that it began to breathe. Then he called all the gods and goddesses to him to look upon his last work. The assembled gods were amazed, for this creature was very like unto themselves, yet very much like the world they had made as well. And Arthi smiled and said to them, “Behold: Man!”
Arthi then named the worlds: Ariol is the great hall where the gods dwell, Caliol is the earth where dwell Man and beast, and Xoniol is the carcass of the beast Chaos.
Arthi had given unto the gods strict instructions concerning Man, that he and his wife were not to be touched nor spoken to, until the time of their maturity was complete and they were ready to take their place in the Great Hall. The gods were to keep each to his and her own sphere and tend the cosmos. As each god did his assigned task a note would sound on the great harp, and at last the twelfth string made its sound, adding a new dimension to the music. For every time Man did something or learned something new, the string would sound. And all the gods gloried in this new song, save one.
For Pordil, ever jealous of his brother Ledil, conceived a new jealousy of Man and the prophecy that Man would take a place of honor amongst the gods. So he sought to make Man his servant, so that when the time came that Man would be brought to the Hall and rule over the gods, Pordil would instead be the leader, supplanting Ledil and Man.
Under the cover of night, Pordil would visit Man in disguise and seek to impress Man with his wisdom. Yet he soon found that whatever he would show Man, Man would learn and put to better use than he dreamed. First he showed Man fire, and how it could make wood burn and disappear. The next night, Man was using fire to drive away the dark and keep himself warm. That night he showed Man how he could shape flint and wood into cunning designs and figures. The next night Man was shaping flint and wood into tools and building shelter to keep out the rain. That night he showed Man the intricacies of speech: rhythm, rhyme, and oration. When he returned the next night, Man had crafted letters to represent speech and had composed a long epic about the previous nights.
Pordil left Man and went to his wife in the deep parts of the earth and raged. “Nothing I do gains me favor, either in the eyes of my father or of man! Everything I show Man he learns and does better.” His wife kissed him and said, “There is one thing you can show Man that, when he learns, he will indeed do better, and thus be deprived of his seat in Ariol.”
Gladly Pordil looked upon his wife and asked, “What is it you have in mind, my sweet Death?”
“You can show him how you love me. And when he learns, he will indeed love me, greater than even you do, so that he will not wish to be deprived of me for even a second. I cannot go into your father’s hall, for I am the child of Chaos, and as Chaos could not be in your father’s hall, neither can I.”
So Pordil did as his wife suggested. The next night, when he made his visit to Man, he took Death with him. And he showed Man how he loved Death. Indeed, it was as Death had said, for Man did love her more so than even Pordil, and wished that he should never leave her side. And Woman did as well.
At this, Arthi left Arthiol and came to Caliol, and wept in anguish. “My son,” he said to Pordil, “what is this you have done?” Then turning to Man he cried, “I made you to be the greatest of all the things I have made, and dwell in honor in Ariol when your time had come.”
“When my time comes,” replied Man. “And I go to Ariol, will Death be there?”
“That,” said Arthi, “is the one thing that cannot be. For Death has no place amongst the gods.”
“Then I wish never to go to your hall,” Man said.
“And that you shall not,” Arthi said. “When your time comes, and you can no longer live in Caliol, you shall descend into Xoniol and there dwell with Death. But know this: There will come a day when your hatred of Death will exceed your love for her, for your love for her is unnatural and taught. And your torture at love mingled with hate shall become so great that you will no longer be able to stand it and you will cry out. And on that day, I will hear, and escort you to Ariol, where you will sit in judgment against the treacherous Pordil for all that he has done, and will do, against you.”
Turning to Pordil he said, “And you will share the fate of Man whom you have sought to supplant in your jealousy. Had you not taught Man the love of Death, he would have revered you as his great mentor and the bringer of learning, so that when he came to Ariol you would have had honor even over Ledil, whom you hate. Now, you shall dwell with Death in Xoniol, never to have Ariol as your home again.”
Arthi’s sorrow was so great that his tears would not stop, and the realm of Caliol began to flood. Had not Ledil and Aletha looked down upon Caliol and been moved with compassion for the deceived Man and the living beasts, Man’s time on Caliol might have ended at that very moment. But Ledil and Aletha made for Man a ship, and in that ship placed Man, Woman, and the beasts. And they made Borodol promise not to claim the ship in the deeps, and Xoera they made promise not to overturn the ship. And when at last Arthi’s sorrow lessened, so that he could weep no more, Partia caused the sun to shine upon Caliol, and Xoera caused the winds to blow, so that the waters receded and land came again.
When it was safe again to tread the surface of Caliol, Man and Woman departed from the ship. Then Ledil and Aletha instructed the two, Ledil the Man and Aletha the Woman, as to the purpose of procreation and begetting. Though Pordil had shown Man how he loved death, Death was ever barren. Indeed, it was her barren state that caused her to appeal to Pordil to deceive Man, for she desired to fill her hall.
Man and Woman came together, and they had many children. But as the children grew, their love for Death was so great that they would slay one another. He that was struck would not defend himself, so greatly did he desire Death.
Thus the gods went again from Ariol to teach Man, lest he should disappear from Caliol. The Melidol taught man to love art and ponder the seas. From the Mesotil Man learned to love feasting and games. The Mesotol taught Man to love nature, the trees and beasts of the field. The Brothers of Thi showed Man the ways of fate, that he should know how his time on Caliol is but a moment. And when Man learned these things, he began to love Caliol so that he wished not to depart into the halls of Death, though he still loved Death so that he could not bear to be departed from her in Ariol. For Death could walk Caliol, but could never enter Ariol.
When Man had learned to cherish his time on Caliol, Ledil and Aletha returned to him once more. Ledil taught Man courage, so that he would not readily embrace Death when attacked, and Aletha taught him wisdom and piety, the sacrifice of animals so that Death would for a time be sated, and those times when Man must embrace Death for the good of his family.
And thus it has ever been in Caliol. And if there ever has been a time when Arthi’s prophecy proved true, and Man at last wished to leave the halls of Death, the tales do not say.

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